Wednesday, August 15, 2012

A page from history

I mentioned recently that I had made a trip to Washington, D.C. to attend the graduation from law school of my goddaughter. I wasn't able to do much sightseeing on that trip, but one place I did visit, that I'd long wanted to visit, was Ford's Theatre, where President Abraham Lincoln was assassinated on April 14, 1865.

My hotel was in China Town, just a few blocks from the theatre, so I could easily walk over. If you order tickets online, they cost $2.50 a piece, but there are a number of free tickets available on a first-come-first served basis each day, and I got one of those at the box office, then had to go stand at the end of the line waiting to be let in. They count people entering, and when the numbers equal seating capacity, entry is cut off until the next tour time. You're (politely) herded into the theatre -- can sit upstairs in the lower balcony, or downstairs in the orchestra. There's a very interesting talk by a Ranger -- the site is part of the National Park Service -- about not just the events of that night, but what came before and after, as well. One of the interesting tidbits of information he supplied: in the 1860s the comfortable seats we were sitting in were not in place. There were straight-back wooden chairs, which people were at liberty to move around. "You could see some of your friends over there," the Ranger said, "And just pick up your chair and move over to join them."

He also mentioned the fact that the President and his party arrived about 30 minutes into the play -- which was apparently not unusual -- and that, when it was realized that President Lincoln had arrived, the play stopped, and the audience stood up to applaud him. He acknowledged the applause, then went on to the Presidential box with his wife and guests. Listening to this I was thinking, "How disruptive of the play!"

After the Ranger's talk, as people were filing out, I walked down to the stage to get a look at the theatre from that perspective. From my seat back under the overhanging balcony it had seemed very small, intimate, but from the stage I saw that there were two balconies, and it wasn't really all that small.

I had found it very moving, looking at the box where President Lincoln was sitting when he was shot. But later I picked up a brochure in the lobby, and learned from it that the building was turned into offices for the Army Medical Museum and Library not long after the government took it over in 1866 (it was closed immediately after the assassination); part of the interior collapsed in 1887, killing a number of people, and had to be rebuilt, after which it was used as a government records warehouse. The Lincoln Museum took the building over in 1932, but it looked nothing like the old theatre inside. It was only following restoration, which finally took place 1962-1967, that the place come to look more or less as it had looked in 1865 (except for the seats. :-) )

Thus, I suppose it could almost be argued that this is essentially a theme park, since virtually only the front outer wall of the building is original. But the restoration was very well-done, meticulous in its attention to historical detail, and the history lessons provided are fascinating.

There is also a museum in the basement that can be visited in the other kind of visit that is possible (talk-in-theatre-plus-visit-to-museum), but the time slot I was in allowed only the former, which was actually all right with me. My biggest disappointment was that I couldn't get a good shot of the exterior, which is very handsome indeed, because of where the sun was.  So I've borrowed from the experts. 

I was glad I went.

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